Who writes this
Every review, category and guide on this site carries the same byline and the same standard. This page explains what that byline covers, what it deliberately does not claim, and what we publish instead of the biographies most sites in this market invent.
The byline on every page
Everything published here is signed BY THE [BRAND] EDITORIAL DESK. It is a single editorial desk rather than a roster of named specialists, and we would rather say that plainly than dress it up.
The convention in this market is different. Casino review sites publish rows of smiling portraits with job titles like "Head of Slots Analysis" and biographies describing a decade in the industry. Some of those people exist. A great many are stock photographs attached to invented names and invented careers, and the practice is common enough that a reader has no way to tell the two apart from the page itself.
We are not going to add to that. There are no fabricated biographies on this site, no stock portraits presented as staff, and no claimed credentials that cannot be checked. Where a real named editor is publishing, the name appears in the byline; where the work is produced by the desk, the byline says so.
What replaces a biography here
A byline is a proxy for trust. It is a weak one — a name proves nothing about how a page was produced — and where a name is not the evidence, something else has to be. On this site there are four things, and all of them are checkable without taking anybody's word for anything.
- A published rubric. Every casino is scored on twenty-four criteria across six axes totalling a hundred points, and the weights and the rules for awarding each point are published in full at how we rate. An author working to a published rubric cannot be generous or harsh — only right or wrong about the evidence, and you can check which.
- A source and a date on every fact. Figures taken from an operator's own pages carry the URL, the date the page was read and a checksum of the page as it stood. Where a page could only be reached through the web archive, the review says so and links the dated capture. A number without provenance is decoration, and there are none of those here.
- A protocol that admits what is missing. Every review prints the same nine checks, and each line carries either a date, a method and a result, or the words "not tested yet" with a note that the axis scores nothing. There is no third state, so a page cannot quietly omit a check nobody performed.
- A visible refusal to score what we have not read. Where fewer than forty of the hundred points can be assessed, no score is published at all. Nine casinos in this catalogue are in that position, and each says so on its own page rather than carrying a plausible number.
Those four together do more work than a photograph. They also constrain us in a way a biography does not: each is a commitment that can be shown to have been broken.
What we would need before naming individual authors
Named authorship is worth having, and it requires two things we will not fake. The first is people who have actually done the work being credited — which for a casino review means depositing real money, timing a real withdrawal and contacting a real support desk, not summarising an operator's own marketing. The second is a public body of work under that name, so a reader can compare one person's judgement across many operators rather than trusting a single page.
Until both exist, an author page here would be a claim rather than evidence, and this site would have adopted the practice it criticises. The rubric, the provenance and the protocol are in place today; the named authors follow the work rather than preceding it.
How work is divided
Collection and judgement are kept apart, which is the part of a review process that most affects the result. Facts are gathered by tooling that records where each one came from and when: the register import, the page collector, the terms reader, the enforcement mirror. Scoring is then applied by a published rule over those recorded facts rather than by impression, so the same evidence produces the same score whoever is at the desk.
What that leaves for editorial judgement is the writing around the numbers — which findings matter, what a term means in practice, what a reader should do about it. Those paragraphs are opinion and are meant to read as opinion; the figures beside them are not.
Corrections, and how to challenge a page
Anything on this site can be wrong, and some of it has been. When we find an error we correct the page and record what changed and when, under the editorial policy — including errors nobody else noticed. One recent example is documented on a review page: our register matcher picked the wrong licensed company for a brand whose domain resolves to two, and the fix and the test that now guards it are described where the mistake appeared.
If a figure here disagrees with what you can see on an operator's site, the operator's own current terms are the document that governs your money — ours is a reading taken on a stated date. Tell us and we will re-read it. The contact page explains what to include so that a correction can be made quickly.
Corrections go to TO BE COMPLETED: contact e-mail and are made in public — see our editorial policy for how we handle them.